Department of Art and Industrial Design, School of Environmental Design and Technology. University of Science and Technology, Ikorodu Campus.
World Journal of Advanced Research and Reviews, 2022, 14(03), 895-903
Article DOI: 10.30574/wjarr.2022.14.3.0643
Received on 23 May 2022; revised on 24 June 2022; accepted on 29 June 2022
Across societies, visual artists and non-visual artists have used their works of art to express their beliefs towards issues bothering on their socio-cultural lives, most often individual lifestyles. Some of these are displayed through diverse visual forms. One of the surfaces where artistic inscriptions are in Nigeria today is on the bodies and windscreens of commercial tricycles popularly known as Keke. Much has been discussed about the inscriptions on the bodies and windscreens of commercial tricycles in Nigeria. A good number of the discussions bother more on the sociolinguistic interpretation of the inscriptions, but with little about the themes and artistic styles employed in the production of inscriptions. However, the data of inscription will be collected using photography and analyzed its thematic and stylization.
Graphical inscriptions; Commercial tricycles; Themes; Artistic styles; Keke; Keke Marwa
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Akinsoji Francis Oni, Kolawole K. Olojo-Kosoko and Omotunde Matthew Jeje. Even Keke Talks: A stylistic and thematic analysis of Keke inscriptions as mobile Urban art. World Journal of Advanced Research and Reviews, 2022, 14(03), 895-903. Article DOI: https://doi.org/10.30574/wjarr.2022.14.3.0643.